ART and DESIGN in REUSE
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LEXICON OF REPAIR

This Lexicon is an extension to the “Lexicon of Repair” from the book Repair: Sustainable Design Futures edited by Markus Berger and Kate Irvin, Routledge 2023, and expands the books 12 samplings of reparative philosophies and methods practiced around the world within different cultures, religions, and languages. Some in this inventory of key concepts of repair have been around for centuries, while others are much more recent. We aim to expand the initial 12 lexicon entries from the book (snapshots in the cultural world of reparative thinking and practice), they represent a wide array of rooted practices that we hope will spark interest in further research on the myriad examples of global traditions and modes of repair not included in this vocabulary.

PLEASE submit here your contributions to above topics- we will soon transfer all these entries to a Digital Commons Site hosted by the RISD Library.

On Gambiarra

By Fred Paulino

Gambiarra is the name given in Brazil to the practice of carrying out repairs and inventions using alternative materials, improvisation, and a sense of spontaneous and immediate creativity. A gambiarra is a temporary solution that can turn out to be permanent.

Gambiarra is universal and part of the country’s culture, whether in rural or urban areas, and it subtly articulates ideas that are relevant to contemporary life, such as the reuse of materials, DIY, open source, and repair practices. We don’t make gambiarras just because we need to, but also because we like it. Simultaneously gambiarras are both the Brazilian’s salvation and failure. While gambiarras reveal an innate ability to solve practical problems in the most adverse situations (extreme adaptability), they expose the ills of a society historically left to neglect—by the colonizers, by the elites—and that, therefore, often conforms to the vagueness of temporary responses to chronic problems. Brazilians even boast frequently about it, as if this supposed “strategic differential” was an expanded capacity for survival—compensating for the historical delay. The contemporary world solemnly distances us from dealing with objects, tools, and the materiality of existence, impelling us to digital interfaces in place of gambiological practices. However, as long as there is Brazilianness—the ingenuity for making and doing with less—and economic resources are limited or in the hands of only a few, there will be gambiarras.

Markus Berger