ART and DESIGN in REUSE
02.jpg

LEXICON OF REPAIR

This Lexicon is an extension to the “Lexicon of Repair” from the book Repair: Sustainable Design Futures edited by Markus Berger and Kate Irvin, Routledge 2023, and expands the books 12 samplings of reparative philosophies and methods practiced around the world within different cultures, religions, and languages. Some in this inventory of key concepts of repair have been around for centuries, while others are much more recent. We aim to expand the initial 12 lexicon entries from the book (snapshots in the cultural world of reparative thinking and practice), they represent a wide array of rooted practices that we hope will spark interest in further research on the myriad examples of global traditions and modes of repair not included in this vocabulary.

PLEASE submit here your contributions to above topics- we will soon transfer all these entries to a Digital Commons Site hosted by the RISD Library.

On Reparations

By Matthew Shenoda

What is reparation but an act gesturing toward repair? An attempt at the restoration of cultural and communal spaces disturbed by the hubris of men. A restorative act that allows for a healing, a patching of things, a signal, a symbol, but never a replacement or a “fix.” Reparation is a culturally and communally led act that recognizes the damage caused by acts of genocide, enslavement, colonialism, trickery, deceit, and domination. A recognition that in order to forward our collective communities we must first attempt to repair the damage done. Reparation is a generative act that if done right can surface the central tenets of our humanity, the ones that desperately need focus. Reparation is not justice, as it is too often material, and justice, in my world, can never be material. But it is a symbol, a symbol of an ethics that can spark an invitation to a relational and restorative path. Reparation is a small step towards a self-determination, and self-determination is a path towards liberation; a path where we abandon the extractive for the collaborative, where in the words of Bob Marley, “we refuse to be, what they wanted us to be/we are what we are/and that’s the way it’s going to be.”

Markus Berger